Tag Archives: digital-marketing

7 ways you’re sabotaging your own advertising.

Advertising-solutions

When you’ve worked on enough projects, you see some reoccurring themes. And, some of those themes are ways organisations seemingly work hard to ensure that their own advertising does not succeed.

Of course, they don’t do it on purpose, but it’s more common than most people like to admit. Here’s a quick list. See if any apply to your organisation.

1. Perspective is everything.
There’s a saying in legal circles that goes ‘Any lawyer who represents himself has a fool for a client’. The simple reason why, is because they’re too close – they lack the perspective to see things from the outside, often due to their own unconscious bias limiting their view.

Smart people understand that and take measures accordingly. Others let their ego get in the way.

Many times, the things you might think are important, are not of any significance to your target audience.

2. You’re not truly customer-focused.
This usually comes down to different agendas and barriers people create for themselves. And, put simply, people need to be honest with themselves about it.

Is that latest campaign really for the customer, or is it simply to make senior management or shareholders feel good about themselves?

Is that work made in a way that will truly resonate with the target audience, or are you simply trying to schmooze an advertising awards jury?

Are you using assets and imagery that will actually work, or merely ones that compliance and legals have already approved?

3. Too much complexity.
Bureaucracy loves complexity because it gives the illusion that lots is happening. But Da Vinci said it best when he said ‘Simplicity is the ultimate sophistication’ (although he probably said it in Italian or Latin).

See, the number one rule is to make it easy for your customers. And if you haven’t done that, usually by distilling your messaging or your offering, you need to do more work.

Your customers aren’t going to do it. Unless they’re a good way down the sales funnel (excuse the jargon – I hate it too), people simply don’t care. They have school drop-offs to do, work meetings to sit in, dishwashers to unpack, Netflix shows to binge, 10,000 steps to do and eight glasses of water to drink.

In summary, make sure you’re not loading up the camel.

4. You’re playing to ‘not lose’.
We need to be clear that ‘winning’ and ‘not losing’ are not the same thing.

While caution and informed decision-making is paramount, if you’re number 1 priority is to ‘not lose’, the simplest way to achieve that is not to play at all. Then, your objective is pretty much guaranteed.

Advertising’s job is to stand out, not fit in.

So, be clear and honest with yourself about what you really want to achieve.

5. Advertising is usually subtle (in both victory and defeat).
If you happen to be sitting on the other side of a two-way mirror, watching a research group who has turned up for fifty bucks and free sandwiches, critique work, you might hear the term, ‘it wouldn’t make me buy it’.

Now, despite what digital advertising platforms might tell you, attribution of an advertisement’s success, and how it influences people, is a far more complex beast.

It’s important to grasp the fact that there are many factors involved. I understand it might not be convenient, or might not align with an organisation’s KPIs, and ROI charts that need to be shown in meetings, but that doesn’t mean it’s not true.

If the author or creator of a communication seems reluctant to make your requested changes, it might be because you’re messing with a part of it that, however subtle, will diminish its impact.

Successful communications can probably be best summarised by Al Pacino’s ‘Inches’ monologue in Any Given Sunday (just swap out winning in a football game to winning in business).

6. You’re spending more time and effort on process than the work itself.
In advertising and business, the result is the most important thing.

However, somewhere along the line, people seem to have lost sight of this and the process is often given more focus. Perhaps it’s a throw-back to high school maths, where you got higher marks for getting the wrong answer if you did it the right way, rather than the right answer by doing it the wrong way. Who knows?

Anyway, I’ve seen many marketers and ad agencies spend more time on the peripheries of delivering the work, rather than the work itself. This can take many forms – ranging from time-sapping, non-productive meetings, to being dictated what tools or platforms to use, to creating a 27-page deck to present a few social posts.

Try and always keep your focus on the true goal, rather than unknowingly creating barriers to it.

7. A tsunami of crap.
Let’s be honest here.The majority of adverting has always been pretty ordinary, and there are a number of reasons on why that’s so. However, we are now entering an era where it will plunge to new depths.

The barriers to entry have never been lower. Anyone with a phone can now make stuff and publish it. Generative AI, plus access to simple editing and design tools has all made it much easier to produce stuff.

However, just because one has access to tools doesn’t make them an architect. The inconvenient truth here is that the biggest workload in delivering effective communications is the thinking part. You can call it strategy, or consumer psychology, or insight-driven ideation, or whatever, but the important thing to note is that it’s not just a case of pressing buttons on a device.

And remember, AI’s frame of reference doesn’t just include the good stuff – it includes all the rubbish that’s out there too.

So, you’ll need to be clear on what your goal truly is here.
Are you simply adding to all the crap, or are you cutting through it?

DUSTIN LANE
Brand Strategy | Creative Concepts | Copywriting

Visit risinggiants.co or dustinlanecreative.com

Seven red flags in advertising.

To an outsider, advertising and bullshit might seem to go hand-in-hand. However, I’ve always tended to take a no bullshit approach. I have little time for hyperbole, jargon, and other crap that gets in the way of the goals we wish to achieve.

This can sometimes make scrolling through LinkedIn feel like floating in a sea of crap, as I encounter AI-written ‘thought leadership’ pieces, critiques of ads from people who’ve never actually made an ad, and people with wonderfully self-indulgent titles like ‘unicorn’ and ‘ninja’.

So, in a bid to combat some of the bullshit, offer some reality, and dispel some myths that have grown like a post-Christmas waistline, I thought I’d jot down a few red flags I regularly come across.  

1.    ‘We need someone to do everything for $50k per year.’

Okay, I get it – your budget is $X, but that doesn’t mean you simply combine all the things you need done into one role and advertise it for your budget. If it were, rather than hiring electricians, carpenters, plumbers, painters, concreters, tilers, and landscapers to build a house, I could just invent a role like ‘Habitational Construction Viscount Unicorn’ and seek someone to build an entire house for $50k.

Firstly, it’s not going to happen. And, secondly, even if it did, would it be a house you’d want to live in?

The simple truth is that if you want something done well, there’s no such thing as a ‘one-person agency’. It’s the same reason your GP doesn’t also dabble in a bit of dentistry and brain surgery. You get what you pay for, no matter how inconvenient that might be for the budget.

2. ‘Isn’t copywriting just the words?’

Look, the ad industry hasn’t done itself any favours with the ‘copywriter’ title. My mum has never even understood what a copywriter does. These days, the plethora of people you can find online proclaiming to be copywriters ranges from people who can use spellcheck on a computer to ex-journos (and anyone in between, who has ever said the alphabet).

The truth is, the ‘writing’ part is actually secondary in the role of a copywriter. The bigger, and more difficult part is the thinking. And by that, I mean both strategic thinking, and conceptual thinking.

‘Hey. Isn’t strategy covered by the planner?’, I hear you say. Well, any copywriter worth their salt is also a strategist. David Ogilvy. Leo Burnett. Mary Wells Lawrence. All great copywriters, yet all inherently great strategy planners. Even the fictional TV character Don Draper is a great strategic thinker.

And, yes, of course there is the writing. What you may not know is that for every word you see in the final output, there are plenty behind it that have fallen. For example, a good copywriter considers the difference inferred by a bank that tells its customers ‘Your withdrawal has been approved’ versus ‘Your withdrawal has been confirmed’.

A million decisions like this happen behind every piece of work you see (if it’s been done well, that is).

3. ‘The strategy and idea is all done. We just need…’

Hear that? It’s alarm bells ringing.

Sure, on first glance it seems innocent enough. After all, the strategy and idea is essentially where all the heavy lifting happens. If that’s done well, the following jobs (copywriting and other ‘executional’ parts of the project) should be simpler. But the important words are “if it’s done well…”. Sometimes it is, sometimes it isn’t.

If it isn’t, it’s like being asked to put a roof on a house, when you know the house won’t be able to take the weight of a roof.  For this reason, I’m always sceptical when the author of an idea doesn’t want to (or can’t) make their own idea actually work.

I’ve always held the position that the best person to make the idea work is the originator, because you make a bed differently if you’re the one who has to sleep in it.

4. ‘The visual assets are done. We just need a brand positioning.’

This one always unleashes a raised eyebrow. That’s because anyone who understands communication would understand that visual assets, typefaces, brand colour palettes, copy style and tone all have to be pulling in the same direction. And the North Star for that direction is the brand positioning.

To try and retro-fit a brand positioning in this way is like trying to lay the foundation slab of a house – after you’ve already built two of the bedrooms and the kitchen.

Any professional communicator understands brand architecture, the process, and that everything about the brand needs to work together.

5. ‘Can’t I just teach myself and do it?’

Well, yes. But we also need to accept that knowledge and talent are not the same thing.

The simple truth is that some people are quite unique in their ability to do a particular task. For example, regardless of how much I study the biomechanics of running, or how many mornings I get up at 4am and train the house down, I will never be able to run faster than Usain Bolt. Sure, my running will likely improve, but I will never be an awesome runner.

It would be the same for an artist. Sure, you can learn that mixing yellow and blue makes green, but you may never have the vision to foresee a human-figure called David lying within a 9-tonne block of marble.

So, while you can improve through education and training, there are some talents you may never master – no matter how many Simon Sinek or Gary V videos you watch.

6. ‘Everyone’s a creative’

When I say ‘creative’, I’m talking about copywriters, art directors, designers, directors, and their ilk.

This ‘everyone’s a creative’ phrase is the ugly, bastard-cousin of ‘ideas can come from anywhere’. Both phrases discount the skills and talents required to do the job correctly. Part of this is due to the current low barriers of entry, largely brought about through technology. Yes, Canva, Apple et al – I’m looking at you.

The truth is, simply having the tools doesn’t mean you know how to use them correctly.

To be clear, I’m not talking about their technical operation. Instead, I’m talking about the underlying skills that dictate which tool to use and when to use it. (eg. What does a close shot mean? Why doesn’t that typeface feel right? Is the colour palette communicating my intention? Should the language be colloquial or more formal? What does that posture imply?)

These are the true skills and talents required to be a professional communicator, rather than simply knowing which button to press.

7. ‘But, can you do social posts?’

In a world of internet memes, I imagine this one sitting up there, with the headline ‘Tell me you don’t know what an advertising creative does, without telling me you don’t know what an advertising creative does.’

Any true copywriter (or art director) has made a career from being a professional communicator. This includes consideration of the medium and context of how and where the message is consumed. Trust me, any creative who has worked in mediums that include TVC, pre-rolls, direct mail, out-of-home, point-of-sale, eDMs, posters, radio, flyers, and almost anything else, can also do social. Yes, social might have its own nuances, but so does every other medium.

In short, it’s a bit like asking a Formula 1 driver if they know how to drive an automatic Toyota Camry.

Brand Strategy | Creative Concepts | Copywriting
risinggiants.co

If you’d like to keep things real and do some good, no-nonsense work, contact dustinlanecreative.com