Monthly Archives: May 2015

Getting typecast while working in advertising.

Bond_-_Timothy_Dalton_-_Profile_(2)When I think of the word ‘typecast’, I think of the actor, Timothy Dalton. See, in my opinion, Timothy Dalton was the worst actor to ever play the role of James Bond. I don’t say this because of the guy’s acting ability. Instead, it’s because I was simply unable to see him as ‘the good guy’. In my mind, I’d seen him in so many movies playing ‘a bad guy’, it just didn’t work for me to see him any other way.

So what’s this got to do with advertising? Well, it happens in advertising, and one of my friends experienced it the other day.

My friend was contacted about the prospect of taking a freelance gig as an art director. However, he didn’t get the job because, while he had experience working in the automotive category, he didn’t have experience working on a particular brand of car. It wasn’t considered, even though he was a senior person in the industry, that he would be able to adapt to the requirements of that particular car brand.

This is interesting because any creative person worth their salt is able to adapt to the requirements of a brand. Isn’t that their job? Sure, those more familiar with it might be able to grasp it a little quicker, but that’s comparable to one actor knowing the lines because he’s been given a copy of the script and the other one hasn’t.

Likewise, last year I had a person ask me if I had any B2B experience. I answered, ‘Yes’, but then reminded them that it was still a person, rather than a business, reading the communication at the other end. I don’t think they liked that.

See, people like to pigeonhole things. They like to give them titles and tuck them away in neat little places.
And when you’re working in advertising, you can get typecast by the type of clients you work on, or by a type of medium or advertising style (e.g. digital, direct, retail etc)
However, in my experience, the best art directors and copywriters aren’t bound by those things. They’re chameleons. They’re like Tom Hanks or Kevin Spacey – able to play any role, and make it their own.

DUSTIN LANE
Brand Strategy | Advertising Concepts | Copywriting

Visit risinggiants.co or dustinlanecreative.com

The difference between an idea and an execution.

A friend, and one of Australia’s leading advertising recruiters, Esther Clerehan, often answers questions from aspiring art directors and copywriters on her blog. Recently, she was asked, ‘What is the difference between an idea and an execution?’

This question does come up a lot, and a lot of people still wrestle with it. So, for what it’s worth, this is how I use to explain it to AWARD School students:

Before you learn about advertising ideas, it’s easy to jump straight into the execution. After all, the execution is usually the tangible part that we see or hear. It’s the finished ad.
But a big step forward in your understanding of advertising comes when you learn to divorce the execution from the idea. You can look behind the shiny surface and see the thinking to how the ad was actually constructed.

When people refer to ‘the execution’, they’re referring to the more detailed specifics of an ad. However, when you take a step back and ask yourself, ‘what is the idea behind this execution?’, you’re able to get a broader view of what it is you’re saying.

I know this can be a bit confusing so to illustrate what I’m talking about, here are some examples below:

VIRGIN MOBILE – ‘JASON DONOVAN’
jason donovanJason Donovan billboard

If you’re not familiar with this campaign, you can take a look at a brief case study here.
Here is what the proposition on the brief probably was:
Virgin Mobile has low-cost call and text rates.

Here’s what the idea is:
These rates are so low, you can even afford to waste your phone credit by making prank calls.

The execution is:
Create a situation where Jason Donovan’s mobile phone number is leaked to the public.

BIC PERMANENT MARKER – ‘JIMI HENDRIX’
bic pen Jimi Hendrix

The proposition on the brief probably was:
With Bic Permanent Markers, the writing never comes off.

The idea is:
Let’s simply show writing that has been around for a long, long time.

The execution is:
A Jimi Hendrix fan who once had her breast autographed by the now-deceased musician.

VW – ‘SINGIN’ IN THE RAIN’


The proposition on the brief probably was:
The new Golf GTi  has loads of new features.

The idea is:
The GTi is an iconic car, and now it’s even better. Let’s illustrate that by showing how great things can be improved on.

The execution is:
A classic film scene, re-made to feature more modern music and dance styles.

Why is it important to distinguish between an idea and an execution, anyway?
If you can show that your idea is not just a one-off execution, it’s more valuable.
You can show that it can be executed a number of different ways. That’s important if you want to run a campaign idea for an extended time, which in turn helps build equity into a brand.
An idea is also important because it means you’re not back to ‘square one’ if something in the execution goes wrong.
For example, if the Virgin client absolutely hated Jason Donovan, you could find another celebrity. Or if the use of a celebrity is beyond the budget, you could execute the idea as cab drivers or pizza delivery guys protesting against prank calls. You could have the entire campaign look like a public service announcement, if you wished.

The important thing is that ‘big ideas’ can usually be executed in a number of different ways.
Depending on who you’re presenting to will dictate how much you have to execute the idea to illustrate what it is you’re talking about. Some people tend to see ideas better than others. Many people get caught up on executional stuff (like someone saying, ‘I don’t like the colour of the guy’s shirt’ or ‘Can we make the logo bigger?’).

DUSTIN LANE
Brand Strategy | Advertising Concepts | Copywriting

Visit risinggiants.co or dustinlanecreative.com